The Design Blog - Design Inspiration

The Kitchen - Whole Foods Visual Identity System by Moniker

"The Kitchen is the prepared-foods division of Whole Foods Market. Moniker teamed up with San Francisco-based Rubber Design to create a visual identity system that spanned everything from identity and packaging to custom illustration and signage."

Moniker is a San Francisco-based design and branding studio. They believe in delivering timeless work for clients far and wide, big and small.

Strong work stems from strong relationships. They partner directly with their clients to reach a level of rapport only possible on a small scale. You won't be hearing.

from their Account Services team-you'll be hearing from them.

Branding the Grand Budapest Hotel by Andrea Bianchi

"The idea was to create the branding of the Grand Budapest, a majestic early 1900 hotel located in the Zubrowka Republic, as it was designed in the 1930s. It is a mixture of past and present, reality and fiction. Inspirations come from 1930s postcards, german prints, advertisements and of course, from the original script of the movie. Each detail follows the techniques and the tools used in that time, from the signature of Gustave, made with a stylographic pen, to the text, written using a mechanical typewriter."

Andrea Bianchi is a graphic designer based in Fidenza, Italy. She is focused on photography, graphic design, branding, typography and print design.

Lied Album Cover Design by Nicholas Kulseth

"We were commissioned to interpret and visualize a contemporary classical music piece and visualize the feeling the piece gave us, and we chose transparency as a tool to convey them. The closed cover shows a complete circle with the title and the text on a removable outer sleeve. When you open the cover you break the circle and show a more vulnerable side of the piece - as we interpreted it. We wanted to create an interactive solution, and visualize the depth of the piece through layers of the transparent cover. Created together with Eirik Torgersen and Anna Ducros."

Nicholas Kulseth is a graphic design student from Oslo, Norway. The fields of graphic design he really enjoys working with, include visual identity and creating strong, unified concepts, packaging design, and more recently, web design. He is also a perfectionist, and loves to work with the small details.

Identity for Forgotten Boardwalk Brewing by Perky Bros

"The identity brings to life the stories of sideshow oddities, historic events and darker side of the boardwalk's past, while filtering it through a quirky, yet restrained visual lens. The packaging's design and minimal palette creates a clear and inviting presence on the typically cluttered retail shelf. The brand mascot, inspired by the feral cats living underneath the boardwalk, narrates our pretty true "tails" as well as serves as a consistent visual thread from logo to the beer taps."

Established in 1883 and 2009, Perky Bros now exists to help brands gain clarity, value and distinction through design. They create visual identities, websites, packaging, print materials and any odd or end necessary to create an authentic experience. Working with startups to more established brands, they like to keep their approach flexible. Regardless of what they're tackling, they strive to offer solutions built on plain-spoken, ambitious ideas - always grounded in research and meticulously crafted in their execution.

Universal Stencil For Home T-shirt Business

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Use your Computer to Create Your Own Artwork or Designs In Minutes in order to Print or Paint on T-Shirts with the NEW UNIVERSAL STENCILS. You will find that using our New Stencil Maker is Fast and Easy to do. And this is NEW and there is Nothing Like It Available Anywhere on the Internet. You will be First to Explore All the different ideas these Universal Stencils Produce. Use them for Your Business, Craft or Hobby Projects! There are millions of ways You can use YOUR Ideas and these stencils.

And if you know anything about the "Old Way" of making silk screen printing stencils you will be amazed at just how very easy this new system actually is. You can forget Wash-out Stations, Time-Consuming Screen Stretching, Screen Gluing, Messy Emulsions, Long Drying Times, and One-Use Applications. The UNIVERSAL STENCIL lets You make prints on T-Shirts much Faster and Easier than Silk Screen Processes, giving you much better profit margins.

You decide What you Produce, When and What Quantity. The entire UNIVERSAL STENCIL system would Easily fit on a Card Table, and take just minutes to complete, unlike Messy Silk Screen Systems that require several work stations to process. You Can Easily Make Anything Any Silk Screen Printing Business Can Do.....And You Can Do It Easier, Faster And Cheaper! Best of all, Each Stencil Will Make Hundreds Of Marks on T-Shirts AND other items such as Glass, Metal, Wood, Fabric, Paper, Plastic, Signs, Cardboard, Leather, Marble, and Ceramics to name just a few.

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The Gold Coast by Nelson DeMille

Susan Stanhope Sutter grew up in Stanhope Hall, a fifty-five room monstrosity that had massive heating bills, stables, a large staff of butlers, cooks, gardeners and people to groom the horses. This is the life Susan was accustomed to. Unfortunately, her parents could no longer afford the upkeep on this white Construction Materials elephant, have closed it up, and moved to Hilton Head. Susan is an accomplished horsewoman, and many trails are partly on their property, and some are on the property next door. Susan and John actually live at the Guesthouse, a more modest 15 room building, and this, along with ten acres of the Stanhopes two hundred acres were deeded to Susan and John as a wedding gift from her parents, William and Charlotte. John was accepted as a suitable husband for Susan, since he was a descendant of Walt Whitman, and thus came from Old Money. John is also a partner in his Fathers prestigious law firm. The property also has a Gatehouse, a six room affair, occupied by George and Ethel Allard, who used to be the estate managers. Now they do the gardening and some light chores on the property, but Susan and John mostly keep them on as family retainers, something the rich do for people who were their servants for many years, as a way of thanking them, and taking care of them in their elderly years, as they most likely have nowhere else to go. The Allards live Construction Procurement in the Gatehouse for free, in perpetuity, a fact Susan finds endearing, but John thinks that Ethel probably had an affair with Augustus Stanhope (Susans Grandfather) to be awarded this gift, and never told George since he was away at war. John's warped sense of humor really keeps the story moving.

Stanhope Hall is up Contracting Company for sale, but nobody can afford it. Susan and John are just going through the motions of everyday life, eating at the Country Club, going out on the yacht, spending the summers in their modest summer home, and enjoying their children, Edward and Carolyn, when they are home during college breaks. Susan is a beautiful redhead and John adores her, but she is definitely a bit loopy. Growing up in Stanhope Hall was a very sheltered existence for her, and she is very nave about how the outside world really works. She has never worked for anything she needs, it has all been given to her. She never reads a newspaper or cares what is happening outside her little town. In fairness, she never even went into the kitchen until she was about twenty years old, the servants took care of all the meals.

Even after many years of marriage to John, who makes good money, she receives an allowance from her Father. John is really her lifeline to the world, as her view of it is so limited. She is also very moody and John even sometimes has trouble understanding her, and feels like Construction Safety she loves her horses more than him. He is excited that she enjoys having a sex life with him that is filled with fantasy, and in her fantasies she seems to want to be dominated, which John cant understand, as she often slips into her Lady Stanhope role and is very snobby towards others.

John is really bored working at his Fathers firm, but can work in the New York office three days a week, and out of his office in town the other two days. He is beginning to get sick of their friends at the Country Club, all they talk about is money, Dont touch the principle being their motto. He looks forward to the times when he can go sailing on his yacht with the kids, and is tired of William nagging him about the sale of Stanhope Hall. John loathes Susans family, and William is such a cheapskate he never pays for Johns legal work or chips in for dinner when they go out together (which they do as seldom as possible). But John is having something of a midlife crisis, and is not too fond of his own parents either.


International Institute Of Tantra - An Overview

The International Institute of Tantra is a global initiative to bring together different aspects of tantra and make it palatable and accessible to the average individual. Thought its network of tantra practitioners, it uses and teaches the Jade Lotus method of tantra massage to individuals willing and ready to learn it. It taps into each person's sensuality, and helps them discover parts of themselves that they didn't know existed or had long forgotten about. The key is the massage itself and how it's done. The method involves three steps, and these three steps work in conjunction with each other.

The first step involves a full body massage. For Information about real time bidding ad exchange is the place to be to have an overview of the info you're searching for.At the International Institute of Tantra, people timing stock market the Chakra system of the body, gaining a deeper understanding and meaning behind why it exists and its methodology. It is said that cosmic energy flows through the body via the chakras. These chakras control our mental and physical stability. As tantra is all about keeping things in balance, this is very important. The full body massage helps the cosmic energies flow correctly through the body and out of the microcosms from whence they entered.

The second step involves breathing techniques. The

International Institute of Tantra teaches these different tantric breathing techniques to help purify the body with each breath taken, removing the toxins that poison it and find that all-important pathway between mind and body. It is a pathway that many spend years trying to find, but through these breathing techniques, it can be found through intense meditation and breathing. The third and final step involves waking the Kundalini, which is said to reside at the base of the spine. Through the lessons learned in <<a href="">bank offerings href="">programmatic technology first step (full body massage) and second step (breathing techniques), the third step combines the first two steps and massages the spine slowly from the bottom upwards, the life force is stimulated and combined with cosmic knowledge.

Once the beginning courses are complete, people who wish to get buying advertising space even deeper understanding of the concepts can take more advanced classes where the techniques learned in the beginning courses are then applied by the students on the instructor, where even real time ad advanced techniques are learned and practiced. The instructor can feel first-hand where the students need more training and guidance, so they can be the best they can be for their partners later on. The International Institute of Tantra teaches students the fine art of tantric massage in a comfortable setting, and in a way that is easy for them to understand.


A History of the Veil in Mesopotamia and Persia

Not much has been recorded about women in ancient history. For Information about rtb media buying is the place to be to have read articles at our website overview of the info you're searching for.It is difficult at best to reconstruct their roles, rights, and changing status through time. There are some clues, however, which lead us to conclude that ancient more strategies egalitarian ways shifted into a loss of women's status in the home and under the law and was reflected in the wearing of the veil.

The Veil in Mesopotamia

Early on in Sumer and Mesopotamia women are recorded as having authoritative roles, buying, selling, and dealing on their own. Examples of this are from clay</<a href="">visit our website for more stratgies> cuneiform tablets from Ur. As is seen throughout the Middle East, when their men were off on business, war and trading activities, women capably kept things going at home. The presence of major female goddesses and the divine status of queens echoes the cultural admiration for the feminine and high standing held by some women.

From the Sumerians to the Babylonians we begin to see changes in attitudes towards freedoms exercised by women. The Code of Ur-Nammu from Sumer (ca. 2100-2050 B.C.), the oldest known laws in existence, illustrated equal punishments for both men and women who broke the law. Women were able to pursue business and legal transactions such as owning property. By the late Assyrian period, many women were slaves, and only the nobles and families of elite males carried special privileges. They had lost some of the status held by Sumerian women. Women were treated harshly under the Code of Hammurabi in Babylon ca. 1790 B.C. and were often charged with corporal and capital punishment for breaking the law, usually being thrown into the river or burning, often from their husbands' accusations. Gerda Lerner cites the Code of Hammurabi as the institutionalizing of patriarchal control in the family. The state now controlled who must wear the veil and who must not wear the veil. The veil was a sign of the delineation between elite and common women.

By the 13th century B.C in Mesopotamia, when a free woman married a non-slave husband, her husband placed a veil over her and declared that she was his wife. Only elite, free, married women were allowed to wear a veil; prostitutes, slaves, poor and single women were forbidden to cover their identities. Under the Code of Hammurabi, a husband's concubine(s) was allowed to wear a veil when she accompanied the legal wife. Men usually had one wife except in the case of childlessness, but harems of women began to appear in the late Mesopotamian period.

Changes in women's position paralleled men's increasing authority and patriarchal dominance of the family. It is theorized that as men began to need to know the true paternity of their children for visit Dan The Binary Man disposition of their property through time, the seclusion of their spouses and sexual control over them grew more severe and was codified by the state.

The Veil in Persia

Persia also had a history of female goddesses and demi-gods and early on the female was held in high esteem. According to Bijan Gheiby, from the 5th century B.C., the Greeks recorded that royal women in the Persian Achaemenid Empire were veiled, riding in curtained carriages and also wearing veils on their faces inside the carriages. In Pahlavi legal texts, wearing a hair covering such as a snood is mentioned as being a custom of Zoroastrian women.

Later in classical Persian texts such as the Shahnameh (ca. 1000 A.D.), women are mentioned often as wearing head coverings. The head coverings (chador in Persian) were also mentioned as being worn by kings as well.

James R. Russell tells us that in early Zoroastrian life of the Achaemenid period, common people did not wear veils of any kind but often covered their mouths with their fingers when in front of a monarch, apparently not to offend the monarch with their breath. Zoroastrian religion taught that the man and woman were equals, but the elite could have more than one wife. Russell continues that from the Parthian and Sasanian periods forward servants are portrayed in art as wearing a veil over the mouth.

This practice continues for male Zoroastrian priests to this day, protecting the sacred fire from the pollution of their breath. In modern times in Iran, Zoroastrian women are seen to wear a loose-fitting garment (chador) over the head and body, but the face and some of the hair is allowed to be seen, unlike Muslim women who must cover part of the face and all of the hair when wearing the chador.

Hamid Algar informs us that from the Islamic period on, women were seen in Persia to be fully covered with the chador, a practice that seems to have continued from the Zoroastrian age where women's movements were restricted, only being allowed to go out covered with black garments.

The wearing of veils in ancient Mesopotamia and Persia is thus seen as a distinction reserved for elite, married women. Later, through the tightening of patriarchal controls, the veil begins to represent seclusion and ownership by the husband.


Algar, Hamid "Cador. iii. In Islamic Persia,"Encyclopaedia Iranica Online (2005)

Chamberlin, Ann A History of Women's Seclusion in the Middle East: The Veil in the Looking Glass Routledge (2006)

Contenau, George. Everyday life in Babylonia and Assyria. Edward Arnold (1954)

Driver, G.R. & J.C. Miles The Babylonian Laws. Wipf and Stock (2007)

Gheiby, Bijan "Cador. i. In Early Literary Sources"Encyclopaedia Iranica Online (2005)

Lerner, Gerda. "The Origin of Prostitution in Ancient Mesopotamia," Signs: Journal of Women in Culture and Society 11 (1986):

Russell, James R. "Cador, ii. Among Zoroatrians,"Encyclopaedia Iranica Online (2005)

Stephenson, June Women's Roots: Status and Achievements in Western Civilization Diemer, Smith (1988)


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